![]() It is based on the UREI Revision F with a push-pull output stage rather than the previous class A output which requires a special output transformer with a tertiary feedback winding. By far the most complete description is Jakob Erlund's Gyraf Audio DIY version. I have seen various sites on the internet showing how to build a clone of the UREI 1176 compressor, some better than others. While versions of the compressor are still commercially available, the adventurous will want to build their own. It has a characteristic quality that remains popular to this day. The UREI 1176 is a classic audio compressor designed by Bill Putnam et al. Revision D Version Purchase a board set.We thought it would be fun to do a shootout between two distinct variations of the 1176 compressor, the Rev D and the Rev F. The circuit has been modeled countless times by plug-in companies, including Waves for the Chris Lord Alge classic compressor series, Slate Digital, Universal Audio’s UAD-2 platform and many more. World class mix engineers still use them to this day on countless hit records including Chris Lord Alge and Michael Brauer. The Rev A is one of the most sought-after versions of the 1176, which features a brushed aluminum faceplate and the infamous “Blue Stripe.” Shortly after its release, audio engineers began using the 1176 in the recording studio to control the dynamics of vocalists, and the rest is history. It featured a Class A design preamp using FET in the voltage divider configuration for gain reduction, which was a technological first. The Rev A was originally developed to be used in broadcast applications so the level was consistent no matter where the listener was tuning in. The first 1176 was designed and released in 1967 by Universal Audio founder Bill Putnam. There have been many revisions to the 1176 over the years, some have been minor adjustments, while others have been a complete makeover to update it to the current standards of the music industry. They smooth out the peak transients, bring the source to the front of the song and make it sit just right in the overall mix. Digital Adapters & Miscellaneous Cablesįor decades, the Universal Audio/Urei 1176 has been a favorite compressor for many tracking and mixing engineers because of its ability to add attitude and vibe to any source. ![]()
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